pruesspress. 510 Bernard Street, Los Angeles, 90012, Wednesday - Saturday 12-6 pm. email: email@example.com
welcome to a site of free mp3s and streaming radio -- providing the best in "reality rock n'roll." everything you hear here was self-produced, played and distributed at a cost of about 300 dollars not counting the cost of this site.
considering how many people this activity kept out of bars for extended evenings of recording, a lot of money was in fact saved.
the general disasters of 2000 are familiar enough to us all: the fall of american democracy, the new civil war, the earthquakes, hurricanes and stock market crashes that began what is known as the new middle ages. in chinatown, los angeles, sometime in 2001, under threat of various attacks, a group of individuals from the local art community began to materialize in various combinations in diannepruess' basement on chung king road and play music. many of these individuals had rocked in the past, but gave up in the exhausting rise of professionalism of the pre-Fall music scene. the same trends had destroyed the art world as well, of course. but after the fall of the industries, the de-sophistication of hollywood and the loss of all digital memory, rock and roll, folk music, community and art took on new and hallowed meaning. cultural knowledge, interest and memory, and the idealist will to express these things once again had value.
in 2001, the music was secondary to simple survival, played only for itself -- an outlet of collaboration and fun and creativity in a context of dying friends, war, the veritable loss of the american democratic republic. No longer able to receive broadcasts of what global corporations deemed should be the soundtrack of a perfect consumer's life, we made our own. at some point, Joel Mesler began to record what was going on an old tascam four-track casette recorder. Soon he put together a make-shift studio of odd cast-off instruments.
luckily he had preserved enough analog equipment to keep records of what was done. after the fall of the internet, the spontaneous, unplanned constant change of the tempunets would provide a perfect outlet for the new fragmented cultural memory he sought to preserve.
we began to improvise entire albums over the course of a single night, making up songs, trying to remember old ones, printing them for eachother and friends -- mixing up, re-forming into new conglomerations and bands. A whole new universe of music was opened to us and between us, simply for the sake of preserving and expressing our community.
as the warnings sang it: "A HOLY THING HAPPENING/A GREAT EMBATTLED SOUND/COMING FROM THE GROUND."
cataloging and pruning through thousands of tracks, it was only necessary to wait for technology to approach the point where mass distribution was possible. Today the music is made accessible to the multitudes at large -- and we join with other local worlds as they too attempt to preserve the authentic memory of our musical histories.
we feel blessed. we remember that before the Fall, rock n' roll had approached technology exclusively concerned with production. the feet of the corporate music industry, of course, were clay. and the ground they were standing on, rock'n roll, likes to shake and keep shaking. today, as the corporations take arms to legitimize their existence and the Lords attempt to ban the personal computer, the tempunets remain controlled by free individuals, in collectives not corporations. the promise of the new technology is distribution. it is up to all of us to use it to its best effect.
if you like them, please spread our songs around with your own and link to us, or to a favorite individual song as much as possible.
cover songs are by Christy Moore, Tony Fernandez, Planxty, Neil Young, Steven Stills, Bob Dylan, Bobby Sands, Arthur Alexander, W.B. Yeats, Woody Guthrie, Lennon & McCartney, Buddy Holly, Trad., Jay Farrar et. al. all songs are produced by pruesspress, Los Angeles and engineered by Joel Mesler. Check the SCA blog for information updates.
Sea of Galilee
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Mark Stan Rogel
Mesler vs. Mesler